

Austin gives the bird on screen.
Sometimes subtle
Sometimes not

Smooth Ride for Two Wheel Tuesday.


Sometimes not

It's Bubble Wrap Appreciation Day and how better to celebrate than Bubble Boy style.
or tanning the Bubble
Club
Bubble
So hot
it might need a Beer Bubble
or a Bubble Bath
Which both could lead to getting some Bubble...
Today's Out Spotlight is the Executive Director of the National Center for Lesbian Rights (NCLR), a national legal organization that fights for the civil and human rights of LGBT people and their families. Today's Out Spotlight is Kate Kendell.
In 1994, Kendell was hired as NCLR’s legal director. She was promoted to executive director in 1996. Under her leadership, NCLR’s impact has grown exponentially.
She is a nationally recognized spokesperson for LGBT rights and has an active voice in major media, including The New York Times, The Wall Street Journal,The Advocate, NPR,CNN,and many others. Despite the national success of NCLR under her tenure, her most rewarding responsibilities still include fostering alliances on the community and organizational levels, and advocating from a grass-roots perspective on issues concerning social justice.
On May 26, 2009, when the California Supreme Court upheld Proposition 8, Kendell responded, “Today, the California Supreme Court diminished its legacy as a champion of equality. No minority group should have to defend its right to equality at the ballot, and the Court should not have permitted such a travesty of justice to stand.”
In 2002, Kendell received the National LGBT Bar Association’s Dan Bradley Award. In 2004, she was named one of California's Top 100 Attorneys and also won the Del Martin/Phyllis Lyon Marriage Equality Award at Equality California’s 2004 San Francisco Equality Awards. In October 2009 she was named a hero for National GLBT History Month.
Kendell and her spouse, Sandy Holmes, were legally married in San Francisco in 2008,and live in San Francisco with their son, Julian,and daughter, Ariana. Their family includes Kate’s daughter Emily.“The only way to win full equality is to engage in the hard work of making our lives real to everyone we know.”
It seemed odd at the time that Jake was snapped jogging in Central Park.
Something he was never seen doing the weeks before Oct 8 or even since.
And then there were the pictures. The first set anyone saw where the ones by the brick wall.
And then almost a day later appear additional pictures that looked like there were so over exposed that the entire background seemed burned out.
So was Jake throwing more than just curve? Where the glasses a distraction for something else like him getting out of town?
Or the fact that Peter is looking like a bird doing a mating ritual or an extra for Maroon 5's Moves Like Jagger.
How does an arm in front of Peter be out of focus but his arm behind it be clear as a bell? Why does it look like Maggie & Mama G's hands are almost overlapping?
What is that oddly solid blue thing between Naomi's knees?
How blurry is it between Jake's arm and the pole?
Another headless person and where did the dude in the hat pop up from? Why are the bikes in focus but street signs that can be seen for blocks not?
and found himself searching for his pair that BrookeDavis and the writers took, but is Julian getting roughed up again?
that has been seen for the past two seasons, but revealed some cracks to him as well.
Julian distracted by the potential of clients coming to rent out his soundstage forgets his son Davis, who he is supposed to take to daycare, is in the car as he gets runs errands before the meeting, a story that is taken from the headlines.
It looks like Austin was pushing for Julian to get a little less puppy and a little more real.
As an actor it's been great. I've really gotten to go to a different place that I haven't gone to before on this show. I'm always pushing and begging [executive producer Mark Schwahn] for stuff like this, just trying to keep exploring. I want him to challenge me, and hopefully I can challenge him in some way, and I think that makes the best artwork."
Could it not just for the artwork, but maybe creating distance away from the concept Brulian image, and setting the seeds for a No Sophin future?
Austin goes old school with the Arthur Murray footsteps.
Jake starts moves into overdrive
Austin can't contain the funk.
Oh snap.
Director's style
Austin goes for the big guns.
and pulls the Flashdance
Jake is a little more subtle
and goes for a just tease
But both try to finish on a high note.