
Tseng Kwong Chi (family name of Tseng listed first in traditional Chinese style. He usually went by "Joseph Tseng" prior to his photography career), was born in Hong Kong in 1950.
Although born in Hong Kong, and educated in Hong Kong, at approximately age of sixteen Tseng's parents moved the family to Canada. There, Tseng originally studied painting at Academie Julien, but switched to photography after one year. He went on to study in Vancouver, Montreal and Paris. In 1978, he moved to New York City.
Tseng became internationally known for his photographic series Expeditionary Self-Portrait Series a.k.a. East Meets West. In over 100 images, he posed in front of iconic architecture and sublime nature as his invented artistic persona, a Chinese “Ambiguous Ambassador” in the classic Mao suit, he found in a thrift store.
Tseng dressed in what he called his "Mao suit" and sunglasses (dubbed a "wickedly surrealistic persona" by the New York Times), and photographed himself situated, often emotionlessly, in front of iconic tourist sites. These included the Statue of Liberty, Cape Canaveral, Disney Land, Notre Dame de Paris, and the World Trade Center.
“A cross between Ansel Adams and Cindy Sherman,” the work explores tourist photography in a playful juxtaposition of truth, fiction, and identity.
According to his sister, he drew artistic influence from Brassai and Cartier-Bresson.
He became an important documentarian and denizen of the downtown 1980’s New York club and art scene. During his brief but prolific 10-year career, he created over 100,000 vibrant color and black-and-white photographs of his contemporaries Keith Haring, Andy Warhol, Julian Schnabel, Jean-Michel Basquiat, McDermott and McGough, Kenny Scharf, Philip Taaffe, Madonna, Grace Jones, the B-52’s, and Fab Five Freddy, among others, a rich historical archive of the decade.

He also photographed the first Concorde landing at Kennedy International Airport, from the tarmac.
In 1990, Tseng died at age 39 from complications related to the AIDS virus, was survived by his companion of seven years Robert-Kristoffer Haynes, who remains a resident of New York City and serves as Registrar at Paula Cooper Gallery. He left an enduring body of work that engages major photographic traditions -- the tourist snapshot, portraiture, landscape photography, documentary and performance.

Tseng’s photographs have been exhibited widely in international exhibitions and are in numerous major public museums and private collections including the Solomon R. Guggenheim Museum in New York; the Los Angeles County Museum of Art; the Museum of Fine Arts in Houston; the San Francisco Museum of Modern Art; and the Walker Art Center in Minneapolis. His work has been included in the Asian American Arts Centre's digital archive.