Friday, November 14, 2014

Marvel-ess




  Marvel fans click this. - AUS10

So Austin what are you trying to say

You watch Comedy Central?

You like  Key & Peele?

or....

You like when people poke fun with Marvel members? ; )

 Ok.. good to know there  Austy. 

Thursday, November 13, 2014

Trading Places


Jake with a fan:




Jake as a fan:



Can that dimple get any deeper?



Talk about Trading Places.

Actually yes - talk about Trading Places with Chris Rock and Jake taking on Eddie Murphy and Dan Ackroyd.   But maybe have Jake as Billy Ray Valentine and Chris be Louis Winthorpe III

With  Jamie Lee Curtis  back as Orphelia?

Wednesday, November 12, 2014

Pictured Past

Back when they were promoting BBM,  Jake and Heath were featured in Entertainment Weekly.




The picture take by Martin Schoeller that you didn't get to see was this:

This previously unpublished photo is part of  Schoeller’s Retrospective Exhibition, at the Hasted Kraeutler gallery and run Nov. 13, 2014 - Jan. 3, 2015.

Schoeller says he included this photo of Brokeback Mountain stars, because it so perfectly captured their easygoing friendship.

Tuesday, November 11, 2014

Stuck in the Snow

Last week The Hollywood Reporter reported that Jake was teaming up again with his Southpaw director Antoine Fuqua for the movie The Man Who Made It Snow, a 1980s crime drama.

Jake is cast as the man in the title, Max Mermelstein,  thought to be the only American who was in the inner circle of the Colombian cartels in the go-go 1980s.

Snow is a biopic of Mermelstein and is based on his autobiography. Brett Tabor wrote the script. Jake will produce with Fuqua, Tabor and IM Global's Matt Jackson.

But this week,  it is reported that everything is at a halt, and heading to  court.

 "Randall Emmett and George Furla's Emmett/Furla Oasis Films is upset at being cut out of The Man Who Made It Snow..."  "The production company has filed a $5 million lawsuit against the film's screenwriter that seeks an injunction against any distribution of the movie."

According to a complaint filed in Los Angeles Superior Court, Emmett and Tabor have been in close contact for the last few years trying to make the film. The production was put on hold due to other competing films and TV programs in the marketplace.

"However, very recently, on September 30, 2014, Plaintiff and Defendant Tabor agreed that Plaintiff would produce and finance the Picture as evidenced by an option agreement contained in an email correspondence from Defendant Tabor to Mr. Emmett," states the lawsuit.

The email, attached to the complaint, conditions the film option on making a successful pay-or-play offer to Gyllenhaal for the lead role of Mermelstein. According to further court documents, Gyllenhaal was offered $6 million for the picture while Fuqua was to get a producer/director fee of $5 million. Emmett had planned to contribute $31 million to the picture's budget and had also agreed to let Tabor executive produce.
  
"However, unbeknownst to Plaintiff, Defendant Tabor, had, among other things, secretly and surreptitiously utilized Plaintiff's efforts and financing proposal/commitment, and proceeded to negotiate an agreement with IM Global for the financing and distribution of the Picture."

IM Global has launched the film at this week's American Film Market and has put out word that some presales with foreign distributors have been closed.

Emmett claims that Tabor and his associates have interfered with negotiations with Gyllenhaal's agent by claiming that Emmett has no rights to The Man Who Made It Snow. Tabor is said to have been warned not to execute any agreements that transfer rights, but Tabor's reps allegedly never responded."

It looks like are going to be some snow delays with this one.

Monday, November 10, 2014

Making Rounds

Jake joined Marion Cotillard (Two Days, One Night), Tilda Swinton (Snowpiercer), Michelle Monaghan (Fort Bliss), Damien Chazelle (Whiplash), J.C. Chandor (A Most Violent Year), Kristen Stewart(Still Alice) and Bill Hader (The Skeleton Twins)as stars from independent movies that have that award season buzz at the AFI Fest Indie Contenders Panel.

Held Sunday night, November 9 at Hollywood's Roosevelt Hotel, the panel was hosted by The Hollywood Reporter's Scott Feinberg.

The discussion include indies vs, tentpole movies,  why the choice of doing independent films and what influence the project choices, and what advice would they give their younger selves.




Not only did Jake smile but it looks like there was a laugh too.



And he got a quick one liner in about SNL Bill Hader too.


Read it all at The Hollywood Reporter.

Sunday, November 9, 2014

Out Spotlight

Today's Out Spotlight was a leading pioneer of feminist literature, was a free spirit whose eccentricity and insatiable desire for life, love and art make her one of the most fascinating women of the 20th century. Today's Out Spotlight is Natalie Clifford Barney.

Natalie Clifford Barney was born October 31, 1876 in Dayton, Ohio, to Albert Clifford Barney and Alice Pike Barney. Her father was the son of a wealthy manufacturer of railway cars and of English descent, and her mother was of French, Dutch and German ancestry.

When Barney was five years old her family spent the summer at New York's Long Beach Hotel where Oscar Wilde happened to be speaking on his American lecture tour. Wilde scooped her up as she ran past him fleeing a group of small boys, held her out of their reach then sat her down on his knee and told her a story. The next day he joined Barney and her mother on the beach, where their conversation changed the course of Alice's life, inspiring her to pursue art seriously, despite, years later, her husband's disapproval.

 Like many girls of her time, Barney had a haphazard education. Her interest in the French language began with a governess who read Jules Verne stories aloud to her so she would have to learn quickly to understand them. Later she and her younger sister Laura Clifford Barney attended Les Ruches, a French boarding school founded by feminist Marie Souvestre and attended by such notables as Eleanor Roosevelt. As an adult she spoke French fluently without an accent and made her home in Paris. Nearly all her published works were written in French.

After coming of age, she moved to Paris.  Barney’s life in Paris was a far cry from what her wealthy Midwestern parents expected. They assumed she would marry an aristocrat and generally “behave.”

Barney had no interest in marriage or behaving. She studied for 18 months at a boarding school in Fontainebleau, France, that encouraged girls to think for themselves. Her time there began her passion for the French bohemian lifestyle.

Barney took up residency on the Left Bank, in Paris. France gave her the artistic and sexual freedom she craved. She started a famous salon that served as a gathering place for leading artists and intellectuals. In addition to her weekly salon, Barney founded the Académie des Femmes to mentor women writers.
Her expansive catalog of work, written from a lesbian perspective, includes poetry, novels, epigrams and plays.

Paris served as the epicenter of Barney’s irrepressible love life, where her charisma earned her the reputation as a female Casanova. Her many romantic liaisons became the subject not only of her own literary work, but also of the work of other prominent French artists and intellectuals.

 Barney later said she knew by age 12 she was lesbian and was determined to "live openly, without hiding anything." In 1899 after seeing the courtesan Liane de Pougy at a dance hall in Paris, Barney presented herself at de Pougy's residence in a page costume and announced she was a "page of love" sent by Sappho. Although de Pougy was one of the most famous women in France, constantly sought after by wealthy and titled men, Barney's audacity charmed her. Their brief affair became the subject of de Pougy's tell-all roman à clef, Idylle Saphique (Sapphic Idyll). Published in 1901, this book became the talk of Paris, reprinted at least 69 times in its first year. Barney was soon well known as the model for one of the characters. By this time, however, the two had already broken up after quarreling repeatedly over Barney's desire to "rescue" de Pougy from her life as a courtesan.


At age 24, Barney began an affair with Anglo-American writer Renee Vivien. From a new and feminist perspective, the two wrote prolifically about sex and gender.

But Barney’s most notable romance was her 50-year nonmonogamous partnership with painter Romaine Brooks. In November 1899 Barney met the poet Pauline Tarn, better known by her pen name Renée Vivien. For Vivien it was love at first sight, while Barney became fascinated with Vivien after hearing her recite one of her poems which she described as "haunted by the desire for death." Their romantic relationship was also a creative exchange that inspired both of them to write. Barney provided a feminist theoretical framework which Vivien explored in her poetry. They adapted the imagery of the Symbolist poets along with the conventions of courtly love to describe love between women, also finding examples of heroic women in history and myth. Sappho was an especially important influence and they studied Greek so as to read the surviving fragments of her poetry in the original. Both wrote plays about her life. Barney was Brooks’s muse for some of her famous works.

 For over 60 years, Barney hosted a literary salon, a weekly gathering at which people met to socialize and discuss literature, art, music and any other topic of interest. Barney strove to feature women's writing while also hosting some of the most prominent male writers of her time. She brought together expatriate Modernists with members of the French Academy. Joan Schenkar described Barney's salon as "a place where lesbian assignations and appointments with academics could coexist in a kind of cheerful, cross-pollinating, cognitive dissonance."

She vitalized the lesbian literary tradition and served as an inspiration for free spirits by being unapologetically herself.

Barney passed away  February 3, 1972, in Paris, France.

 “Your life is your most beautiful poem; you are your own immortal masterpiece.”

Saturday, November 8, 2014

Tux'd out

Jake broke out another impeccably tailored tuxedo for the Academy of Motion Picture Art and Sciences Governor's award.


This time as he joined other Academy members who celebrated lifetime achievement awards.

In a stunning shawl collared tux and hand tied silk bow tie,  Jake showed that Hollywood glamor side that he keeps hidden in those green khakis and black/grey shirt combo.  Jake looked like he could hop on the stage and in minute's notice  and handle announcing a winner or winning himself.